In this spine-tingling gothic tale, a young governess travels to a remote English estate to care for two precocious young orphans.

Director Chuck Hudson’s dazzling, 1950s Hollywood-inspired Don Pasquale was one of the highlights of the 2018 Festival. As we look back at t

Synopsis ACT I During the early 1980s in Louisiana, two brothers, Joseph and Anthony De Rocher, are convicted of rape and murder of a...

FWOpera's sparkling production of Gioachino Rossini's La Cenerentola (Cinderella) based on the fairy tale Cendrillon by Charles Perrault....

No holds barred. No apologies. Just the brutally honest recollections of America's longest-held Vietnam prisoner-of-war. Based on the best-s

It's a battle of the sexes in ancient Greece! They say all's fair in love and war, so is it possible to stop a war by withholding love?...

Social tensions boil over in this classic battle of the sexes, as Mozart brings Beaumarchais' thinly-veiled attack on the aristocracy to...

Cruzar La Cara De La Luna began with a phone call from Anthony Freud, then General Director of Houston Grand Opera. The morning after he had

"It reads better than I expected.” That was the understated reaction Louisa May Alcott recorded in her journal after reading the publisher's

Soprano Karan Armstrong headlined Fort Worth Opera's 1970 production of Douglas Moore and John LaTouche's opera set in 20th century Colo

One of the descriptors commonly found in discussions of the comic operettas by Gilbert and Sullivan is "topsy-turvy." There is always...

The late great Beverly Sills launched many additions to her repertoire here in Fort Worth, including 'The Beautiful Galatea,' 1964.'

FWO Archive: (1947) Fort Worth Opera's second production was Puccini's Madama Butterfly, performed at the Will Rogers Memorial Auditorium un

FWO Archives (1984-1985) During our "Season of Departures," the Fort Worth Symphony Orchestra became Fort Worth Opera's permanent orchestra,

Walter Herbert, Frankfurt-born general director of The New Orleans Opera, was brought in to conduct the thirty-six piece orchestra. Herbert

Fort Worth Opera's 'Angels in America' includes meditations on politics, American history, love and mortality. It has plenty of religion-

FWO Archives: Carmen (2017) - The following Fort Worth Opera article features an exclusive interview with Audrey Babcock (Carmen).

The following comes from Fort Worth Opera's 2017 Fall issue of FWO's magazine 'Vanguard.' Joe Illick shares his perspective on 'Carmen.'

Austrian native Karl Kritz, an associate conductor for The Metropolitan Opera and San Francisco Opera, became the Fort Worth Civic...

Acclaimed for her “smoldering stage presence,” (New York Times) and her “richly-hued voice” (BBC Music magazine), American-Argentinean...